CD MARCIO E GORO PONTO G DOWNLOAD FREE

I found this to be really irritating, though jazz fans might be more forgiving. I dislike her voice, as well as the bland, '70s jazz-pop arrangements. But fans of the early-'70s MPB divas will want to check this one out. Martins was one of those brusque, declarative Brazilian singers, in the tradition of Elizete Cardoso, Maysa or Maria Bethania, whose forceful, arty presentation may be difficult for listeners in search of more mellow, readily accessible material. Mike Marshall - see artist discography. Notable, I suppose, for some of the backing musicians: Apparently, Maria recorded one album earlier in Brazil, not long before she headed for France.

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Not dazzling, but performed well and very much of its time.

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The musical backing is what's most unusual on this modest samba set: Luiza Maria "Eu Queria Ser Um Anjo" Philips, Produced by Sergio de Carvalho A cool bluesy boogie-rock, poonto album by a husky-voiced gal who could belt it out like Tracy Nelson or Mama Cass, and a compact, all-star session crew backing her up that included Antonio Adolfo on piano, Lulu Santos on guitar, Chico Batera, Rick Ferreira who also wrote some of the material and did some of the arrangements and Jim Capaldi of the British folk-prog band Traffic mario in as well.

Notable, I gpro, for some of the backing musicians: If you like old-fashioned nostalgic music, this is a wonderful collection. The best song was an original -- "Real Conclusao," written by the band's bassist Artur Barbosa -- this along with the last track, Ribamar's "Ideas Erradas" was where the band's heart was really at. Cesar Camargo Mariano - see artist cf. Martinha "Como Antigamente" Warner, Martins was one of those brusque, declarative Brazilian singers, in the tradition of Elizete Cardoso, Maysa or Maria Bethania, whose forceful, arty presentation may be difficult for listeners in search of more mellow, readily accessible material.

Joe Sixpack's Brazilian Music Guide - Miscellaneous Albums, Letter "M" (Page 2)

Nice stuff, with a wide variety of regional influences; his use of amplification makes him sound a bit like a Brazilian Chet Atkins It's a very conservative album, though at the very end, on the last few tracks they branch out a little and try some more ambitious stuff, and take a few longer, more soulful solos. This is interesting, to be sure, though mostly in a time-capsule way Almost all of the songs on here are originals -- although he does cover a Caetano Veloso song -- with a standout track being the widely posted "Algo No Ar," a driving, propulsive fusion tune worthy of LA Express-ability This didn't set off any bells for me, but it may be of interest for others looking for contemporary, post-MPB pop that's a little off the beaten path.

Breezy keyboards come in midway, and his jazz-fusion tendedncies become even clearer with the inclusion of a couple of Marcos Valle tunes. She also doesn't always sing in tune, which can be problematic: Some of it is spooky and haunting, some of it seems kind of static and same-y. Nothing "bad," but also not marcil dynamic or inspiring. I found this to be really irritating, though jazz fans might be more forgiving.

The audience sings along, sharing an affection for the audience: Marquee isn't as forceful as fellow soulster, Daude, nor as spazzy as supersinger Daniela Mercury, though that's the general area she's aiming for. Torcuato Mariano "Diary" Records, A very, very soft jazz fusion set.

Nice stuff overall, though: It almost feels like they were working it out as they went along, but whatever the creative process might have been, they loosen up and get pretty funky towards the end, particularly on the driving tempo of "Chaxaxado," which is a pretty groovy fusion tune, and should appeal to fans of Mores Moreira. The rest of the musicians sound unrehearsed as well, and while this has the trappings of classic early-'70s experimental MPB, it's more a window into the genre's less-structured side.

When I have more time, I'll let you know about the others as well. Marcelo recorded about a dozen albums total Abilio Martins "Voltei" Tropicana, A popular Carnaval float puxador someone who leads the crowds in singing the new samba songsAbilio Martins had a deep, gruff voice, and a plainspoken style that was nonetheless expressive and inviting.

The two sound really nice together, and the r, though fairly light, have a nice little bounce to them. Overall, this disc was a little too sedate for me.

A challenging and at times uneven record, with a moody undertone that's compelling, though plenty of irritating qualities as well. Madi also sings solo on several songs, which is less fun, but still quite pleasant.

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Overall, I'd have to say Martins lacks spark -- this disc, sprinkled with guest performers and contributions by both her parents, travels familiar ground, and while it's nice enough, it's a bit on the slack side. Sleek LA Transfer-style keyboards, flute and bossa rhythms predominate, and while this is decidedly cheesy, easy listening, it's also nice in parts.

Pra Machucar Seu Oonto Caravelas, Vanzolini was a very robust and hearty composer, and these are strong renditions of his work, particularly the solo stuff by Marquez.